CO-OP

Circumambulating
Objects

On Paradigms of Restitution of Southeast Asian Art

Circumambulating Objects: on Paradigms of Restitution of Southeast Asian Art (CO-OP) assembles individuals across the arts, culture and heritage fields to question entrenched systems of valuation, ownership, collecting and power as these are brought into relief through restitution processes today. Exploring Southeast Asian epistemologies and needs at the intersection of these processes, we ask to whom or to where ‘art’ belongs—within state-building agendas, colonial ideations, collective memories…?  

The name CO-OP signals both the cooperation and co-optation of parties active in the displacement of art throughout history. As a programme, we acknowledge our own role within networks of dispersal and return ‘home’. This website comprises an exploration of pathways upon which things and people continuously travel and the waypoints at which they make historical impact. The online environment of CO-OP also seeks to envision trajectories which are nuanced and equitable.

Our Work

Reading lists from each years’ seminars represent three critical research pathways. Each pathway broadly examines anew paradigms of restitution such as circulation, ownership, and display.

Internships hosted by the programme present fresh perspectives on restitution and provenance based on research with institutions in the UK and abroad. 

New from the Cohort Blog

Featured Object Story

Listen to Prof. Ashley Thompson’s Inaugural Lecture at SOAS, ‘Double Realities: The Complex Lives of Ancient Khmer Statuary’, about the shrine of Neang Chek Neang Chum in Siem Reap—featured above—and its connections with questions of restitution, replication, and display. (Length: 51 min)

Two bronze statues stand in front of a painted mural facing forward with hands raised in abhayamudra. They are adorned with gold sequined fabrics draped across one shoulder and tied at the waist and have golden halos attached to the back of their heads.

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